← Work Qualia Contemporary Art

Jan 2026 – Present · Gallery Associate · Palo Alto, CA

Qualia Contemporary Art

At Qualia, my job is to make complex, nuanced artist histories clear and compelling—so curiosity online turns into gallery visits, conversations with collectors, and a wider regional audience. I started as an intern and now run the gallery’s social media, email, website, catalogs, video archives, and events.

Qualia newsletter for Wang Dongling. A poster pairs his portrait with the China Pavilion at the 61st Venice Biennale, 2026, then the headline, a short announcement, and a button that reads Read the Full Article.
Newsletter — the poster, the news, Read the Full Article
The middle of the Wang Dongling newsletter: an installation view, a View Available Works button, then The Calligraphic Painting and works on the gallery wall.
Newsletter — View Available Works, then the method
The close of the newsletter: a Chaos Script painting, an Inquire button, Wang Dongling’s biography, and a list of museum collections.
Newsletter — Inquire, the biography, the collections

Wang Dongling, in two days

A previously exhibited artist was in the China Pavilion at the 61st Venice Biennale, and the gallery already had his work. The day that news landed, a poster and a newsletter went out. Two days later, a collector who had been considering a work bought it.

Artist
Wang Dongling 王冬龄, shown before at Qualia, including an art fair presentation
News
Dream Stream, China Pavilion, 61st Venice Biennale, 2026. Curated by Yu Xuhong.
Time
Poster, newsletter, and both Instagram posts inside two days. Both posts are dated May 14.
  1. The poster leads His portrait beside the Pavilion, with the year and his name set large. The news looks like an object, not a press release.
  2. The gallery, in the first sentence “Exhibited artist.” The Biennale is the occasion. The relationship is the point: this is someone the gallery has already shown.
  3. Why he matters, as facts Pioneer of Luan Shu, Chaos Script. He treats the line as a form of expression and pushes the ink to the edge of the sheet. The writing names the method. It does not explain the art.
  4. Read the article, then see the work “Read the Full Article” sits under the news. “View Available Works” comes next, before the longer essay, so the sales path is not a footnote.
  5. The collection list is the close Biography last, then where the work is held: the Met, the V&A, the National Art Museum of China, the Palace Museum in Taipei, and the Cantor Arts Center at Stanford. An Inquire button sits above that list.

Two posts, not one feed drop

The newsletter was split. One post for the Biennale. One post for the works in the gallery. A single caption would have asked a scrolling reader to hold the news and the inventory at once. High focus is the better ask.

The first is a carousel built in a Canva template from the poster. The caption stays on the practice: calligraphic paintings, the weight of the stroke, the physical act of writing. Slides carry the process, the performances, and the work. The second post is the product. Three works, with the news repeated only as the reason they matter now.

The sale happened here. A collector had already been thinking about a work. Seeing it return twice—first as the Biennale, then as something the gallery could sell—is what decided it.

Organic reach and community growth rose 30% over five months.

Instagram carousel for Wang Dongling at the Venice Biennale. The first frame is his portrait with Venice Biennale 2026, China Pavilion, and his name. The caption is about his calligraphic paintings.
Post one — the Biennale, and the method
Instagram post of a Wang Dongling ink painting. The caption says Qualia is honored to present three significant works by him.
Post two — three works at the gallery

One Exhibition, Five Formats

The same facts—artists, dates, a reason to care—are rewritten for where they will be read. What leads, how long it runs, and what the reader is asked to do all change with the channel and the reader’s state of mind.

Qualia Contemporary Art Instagram grid — installation views, artwork details, portraits, and event graphics
Instagram grid

The feed rotates installation views, artwork details, artist portraits, and event graphics, so it reads as a program rather than a stream of announcements.

Gallery website art fairs page — Expo Chicago and Art Central Hong Kong
Gallery website — art fairs archive

The same Expo Chicago content as the social carousel, reset for the website: a neutral archival record instead of a call to visit the booth.

  1. 01

    Email newsletter

    Opted in, will read on

    Leads with
    Title, dates, reception; story after
    The ask
    RSVP, request a preview
  2. 02

    Instagram

    Deciding in a second

    Leads with
    One strong image, a short hook
    The ask
    Save, share, visit
  3. 03

    Event listing

    Interested, checking logistics

    Leads with
    Date, time, place, speakers
    The ask
    RSVP via QR code
  4. 04

    Print poster

    Passing by, reading from afar

    Leads with
    Name and date, large as graphics
    The ask
    Remember the date
  5. 05

    Gallery website

    Collectors, press, researchers

    Leads with
    Institutional voice, full roster
    The ask
    Inquire, plan a visit

Short-Form Artist Narratives

Cut long studio visits into story-driven short-form for YouTube, Instagram, and RedNote—keeping a human rhythm rather than a corporate edit. Used Premiere Pro and transcription-assisted workflows to turn around high-impact clips on exhibition timelines.

Qualia Contemporary Art — short-form editorial video Watch on YouTube
Short-form editorial video
Qualia Contemporary Art — short-form studio video Watch on YouTube
Short-form studio video
Yulia Pinkusevich’s Studio, Oakland, 2026
Yulia Pinkusevich’s Studio, Oakland, 2026

Photography

Studio visit and installation photography, edited for web and social.

Younhee Paik’s Studio, Oakland, 2026
Younhee Paik’s Studio, Oakland, 2026
Art supplies arranged in the studio
Studio materials
Stella Zhang’s Studio, San Francisco, 2026
Stella Zhang’s Studio, San Francisco, 2026

Public Programming & Events

Ran multi-channel promotional campaigns and RSVP flows for live panels and openings—including university collaborations. Together, those programs drew 150+ attendees across the past season and brought digital audiences into the gallery.

Exhibition opening — guests and gallery atmosphere
Exhibition opening — gallery atmosphere
Human connection — embrace between gallery visitors
Community in the gallery
Qualia Contemporary Art — exterior establishing view
Gallery exterior — Palo Alto

Editorial & Campaign Collateral

Designed modular presentation decks, exhibition catalogs, one-pagers, and campaign graphics with rigorous typography and visual hierarchy—so complex programming and artist narratives read clearly for stakeholders, clients, collectors, and partners.

Qualia Contemporary Art — gallery website design
Gallery website design

Hours, location, and contact made scannable for first-time visitors, in a calm voice that matches the gallery itself.

Editorial social post — slide 1
Editorial slide 1
Editorial social post — slide 2
Editorial slide 2
Editorial social post — slide 3
Editorial slide 3

Art fair carousel that moves from logistics to story: the booth number first (the one fact a fair visitor needs), then the artist’s biography, then a close detail of the work to reward a swipe.

Tools

Figma · InDesign · Illustrator · Canva · Premiere Pro · CapCut · Mailchimp · Artlogic · Google Workspace · Generative AI workflows